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In Memory of the Fallen

Posted on November 5, 2009 by | Posted in about LibriVox, For Volunteers, News, Weekly Picks | Comments: 8 Comments on In Memory of the Fallen

As we approach the 91st anniversary of the Armistice that ended major hostilities in the First World War, this week’s picks are in remembrance of all those who served in the defence of their countries.

LibriVox recordings are Public Domain in the USA. Some of these works may not be in the Public Domain in countries where copyright extends for a period of 50-70 years after the author’s death. Please check copyright laws in your own country before downloading, otherwise you may be violating copyright laws.

We have released two new audiobooks this week: A School History of the Great War, which includes European history leading up to the war and reasons for America’s eventual entry into the war, and Diary of a Nursing Sister on the Western Front 1914-1915, a most moving account of a British nurse’s experiences during the first year of World War One.

In some of our weekly poetry projects, where a particular poem is read by a variety of readers, you will find works by some of the most distinguished war poets:

During the week commencing November 8th, why not come and join us in making your own recording of The Soldier by Rupert Brooke?

There is a rich variety of books written about the First World War. Here are some suggestions:

Two books by James Norman Hall: High Adventure A Narrative of Air Fighting in France and Kitchener’s Mob Adventures of an American in the British Army.

Four Weeks in the Trenches by Fritz Kreisler, the famed violinist’s account of his service on the Russian Front.

Canada’s Hundred Days: With the Canadian Corps from Amiens to Mons, Aug. 8 – Nov. 11, 1918. Part One. Amiens by John Frederick Livesay.

The Escape of a Princess Pat by George Pearson, an account of the capture, imprisonment and final escape of Corporal Edwards, of the Princess Patricia’s Canadian Light Infantry.

Brieven van den nutteloozen toeschouwer, a series of newspaper columns in Dutch, written by well-known Dutch author Louis Couperus in 1914, during the first weeks of World War I.

In the Field (1914-1915) by Marcel Dupont, “a modest Lieutenant of Chasseurs”.

Over the Top by Arthur Empey, an account of the horror of trench warfare. As a little light relief, this also includes Empey’s popular “Tommy’s Dictionary of the Trenches” which humorously demystifies the slang used by the British soldier.

Observations of an Orderly by Ward Muir, who brings us into the heart of an English war hospital, describing scenes of cleanliness, triumph, order and sadness.

There are also a number of interesting items in Short Works Collections, including:

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Hallo Hallowe’en!

Posted on October 22, 2009 by | Posted in about LibriVox, Blog, For Volunteers, News, Weekly Picks | Comments: 11 Comments on Hallo Hallowe’en!

Ghoulies and ghosties, long-leggedy beasties, and things that go bump in the night. Curl up and enjoy some tasty Hallowe’en treats.

The Book of Hallowe’en by Ruth Edna Kelley, read by Sibella Denton. An account of the origin and history of Hallowe’en, illustrated by selections from ancient and modern poetry and prose.

The Canterville Ghost by Oscar Wilde, read by David Barnes. An American family have bought an English stately home, complete with resident ghost – blood-stains, clanking chains and all.

Ghost Stories of an Antiquary by M.R. James, read by Peter Yearsley. James’s stories often use rural settings, with a quiet, scholarly protagonist getting caught up in the activities of supernatural forces.

Famous Modern Ghost Stories, compiled by Dorothy Scarborough, is an entertaining selection of stories, read by various readers. As the compiler wrote in 1921: “Life is so inconveniently complex nowadays, what with income taxes and other visitations of government, that it is hard for us to have the added risk of wraiths, but there’s no escaping.”

The Beetle by Richard Marsh certainly counts as being creepy enough for Hallowe’en: a story about a mysterious oriental figure who pursues a British politician to London, where he wreaks havoc with his powers of hypnosis and shape-shifting. Narrated from the perspectives of four characters, this is recorded by four different readers.

For a goodly helping of ghosts and witches, how can I possibly leave out the Librivox recording of Shakespeare’s Macbeth?

Nachtstücke von E.T.A. Hoffmann, gelesen von Rainer. Die “Nachtstücke” sind eine Sammlung von unheimlichen Geschichten, die der Romantik zuzuordnen sind.

Animal Ghosts by Elliott O’Donnell, read by Allyson Hester. Supposedly true stories of hauntings by many different kinds of creatures…

And now for a little non-fiction, though these are certainly long-leggedy beasties… The Life of the Spider by J. Henri Fabre, read by various readers.

And, if you finally want to get rid of all those ghouls and get to sleep, how about trying The Ghost Extinguisher by Gelett Burgess, a short story read by Gregg Margarite for one of our many collections of ghost and horror short stories?

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Whither Norway?

Posted on September 1, 2009 by | Posted in about LibriVox, For Volunteers, News | Comments: 18 Comments on Whither Norway?

I got an email the other day asking for Norwegian LibriVox recordings. I thought: “surely there must be.”

Turns out there is not.

There are Swedish and Danish and even Finnish recordings, but none in Norwegian.

What gives, Norway? We’d love to have you … join us, it’s fun!

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SXSW Panel: When Every Book Is Connected

Posted on August 19, 2009 by | Posted in about LibriVox, News | Comments: Comments Off on SXSW Panel: When Every Book Is Connected

My colleague, co-founder, and the chief architect and getter-doner at Book Oven, Stephanie Troeth has proposed a moderated panel at SXSW this year called:

Beyond Publishing: When Every Book is Connected to Everyone

We have an all-star line-up who have agreed to join us (if SXSW agrees to give us some space to talk):

The description of the panel is as follows:

What happens when every book is online, linkable, and connected to every writer and every reader? What happens when the book is liberated from being words on paper, unbound from a format that’s two thousand years old? What happens to how we read and how we write?

For more info, or to comment on or vote for the panel (please do!), see here.

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