The Life of Harriot Stuart

Charlotte LENNOX (1730 - 1804)

The Life of Harriot Stuart, Written by Herself presents a complex and problematic view of self-creation in the eighteenth century. Within the novel, there is a constantly reoccurring theme of self-invention through fiction, which is echoed by the author's own use of the novel to shape her identity. Published in December of 1750, Harriot Stuart gained critical praise as a successor of Richardson's Clarissa and by 1752, Charlotte Lennox had become a protégé of Johnson. Lennox's second novel reflects the influences of men like Richardson and Johnson. Their individual styles and commitments to moral and social education are evident in the arguments and plot of The Female Quixote. Despite these associations with the didactic tradition, Harriot Stuart's resemblance to it is only superficial. Although Harriot makes gestures toward repentance and acknowledgment of her faults, the work of the novel is not to redeem Harriot's coquetry through marriage, but rather allow her to control her own identity through the manipulation of language as both coquette and narrator. As coquette, Harriot Stuart uses the language of courtship to manipulate the perceptions of her male admirers. The object of the male gaze, traditionally considered a passive role, is a site of empowerment for the coquette as she exploits it to create and re-create herself in society's eyes. As narrator, Harriot uses the telling of her courtship as a vehicle of self-invention. In controlling the telling of her own history, she in effect reconstructs her identity. Lennox, who arrived at London in 1742 with no recorded past, also engages in this self-narration as author. The history that Lennox claims for herself parallels that of Harriot Stuart, whose fictional autobiography was accepted, with Lennox's implicit consent, as the author's own. The implications of Lennox's choice of an American autobiography raise two questions. First, what exactly was American-ness in 1750 and what did it represent to Lennox specifically. Second, how did this American quality manifest itself within Harriot Stuart as both fiction and autobiography. The particularly ambiguous relationship between author, narrator, and heroine in The Life of Harriot Stuart complicates the reader's interpretation of Harriot's character and lifestyle. Along with the implications of Harriot's invention of her identity as coquette and historian, are those of Lennox's own self-invention as author through genre, gender, and geography.

Genre(s): Published before 1800

Language: English

Section Chapter Reader Time
Play 01 Introduction Luke Castle
Play 02 Volume One Part 1 Shelly Pinnock
Play 03 Volume One Part 2 Shelly Pinnock
Play 04 Volume One Part 3 Shelly Pinnock
Play 05 Volume One Part 4 Shelly Pinnock
Play 06 Volume One Part 5 Shelly Pinnock
Play 07 Volume One Part 6 Shelly Pinnock
Play 08 Volume One Part 7 Shelly Pinnock
Play 09 Volume One Part 8 Shelly Pinnock
Play 10 Volume One Part 9 Shelly Pinnock
Play 11 Volume One Part 10 Shelly Pinnock
Play 12 Volume One Part 11 Shelly Pinnock
Play 13 Volume Two Part 1 Shelly Pinnock
Play 14 Volume Two Part 2 Shelly Pinnock
Play 15 Volume Two Part 3 Shelly Pinnock
Play 16 Volume Two Part 4 Shelly Pinnock
Play 17 Volume Two Part 5 Shelly Pinnock
Play 18 Volume Two Part 6 Shelly Pinnock
Play 19 Volume Two Part 7 Shelly Pinnock
Play 20 Volume Two Part 8 Shelly Pinnock
Play 21 Volume Two Part 9 Shelly Pinnock
Play 22 Volume Two Part 10 Shelly Pinnock
Play 23 Volume Two Part 11 Shelly Pinnock
Play 24 Volume Two Part 12 Shelly Pinnock